By Ronnie Greene
Named one of many most sensible books of 2015 through NewsOne Now, and named the best books of August 2015 through Apple
Winner of the 2015 Investigative journalists and Editors publication Award
A harrowing tale of blue on black violence, of black lives that possible didn't matter.
On September four, 2005, six days after storm Katrina’s landfall in New Orleans, teams of individuals intersected at the Danziger Bridge, a low-rising expanse over the commercial Canal. One was once the police who had stayed in the back of as Katrina roared close to, desirous to continue regulate as their urban spun into chaos. the opposite used to be the citizens pressured to stick at the back of with them through the typhoon and, on that fateful Sunday, looking for the fundamentals of survival: nutrients, medication, defense. They collided that morning in a frenzy of gunfire.
When the taking pictures stopped, a steady forty-year-old guy with the brain of a kid lay slumped at the flooring, seven bullet wounds in his again, his white blouse became crimson. A seventeen-year-old was once riddled with gunfire from his heel to his head. A mother’s arm used to be blown off; her daughter’s abdominal gouged by means of a bullet. Her husband’s head used to be pierced by way of shrapnel. Her nephew was once shot within the neck, jaw, belly, and hand. Like the entire different sufferers, he used to be black—and unarmed.
Before the blood had dried at the pavement, the shooters, every one a member of the hot Orleans Police division, and their supervisors hatched a cover-up. They planted a gun, invented witnesses, and charged in their sufferers with tried homicide. on the NOPD, they have been hailed as heroes.
Shots at the Bridge explores the most dramatic circumstances of police violence visible in our state within the final decade—the bloodbath of blameless humans, performed via contributors of the NOPD, within the brutal, disorderly days following storm Katrina. It finds the phobia that gripped the police of a urban slid into anarchy, the conditions that drove determined survivors to the bridge, and the horror that erupted while the police opened fireplace. It conscientiously finds the cover-up that just about buried the reality. And ultimately, it lines the criminal maze that, a decade later, leaves the sufferers and their family nonetheless looking for justice.
This is the tale of ways the folk intended to guard and serve voters can do violence, cover their tracks, and paintings the criminal method because the state awaits justice.
From the Hardcover edition.